The emphasis is the voice as it sings the stories, the universal unrequited love theme, the Ghazal, the Ballad, the Blues.
Five Rivers
Constantly being inspired by new sounds and musical genres, UK vocalist, songwriter, Najma, explores the synergies that resonate with her Asian - British roots by connecting vocal expressions of unrequited love through the waterways of voice, poetry and music.
A musical journey, 'FIVE RIVERS’ begins on the banks of the River Ganges in India to Africa with the River Niger, Great Britain, with the River Thames & Ireland’s River Shannon and finally across the Atlantic to the majesty of the great Mississippi River.
'FIVE RIVERS' is the first project in which Najma's essential focus has been on the Western canon of song.
She says, “Using selected covers, my interpretation of songs written by Donovan, Tim Hardin, Bryan MacLean, Rev Gary Davis and the mystical love poetry of W. B. Yeats has allowed me to comfortably compare the many shared reference points between the ancient tradition of Ghazal (romantic Urdu poetry) and the Western tradition of lyric poetry, both beautifully address the issues of unrequited loss, tragedy & disillusionment” which are all central to the Indian tradition of Ghazal.
‘Five Rivers’ can be best described as a confluence of culture, musical, poetic and linguistic traditions of the East and the West, brought together through the purity and beauty of voice. In researching this project, Najma has absorbed the distinct musical traditions of West Africa, the Mississippi Delta, the Western Folk traditions ie Irish / Celtic, Ghazal, Rock music, Jazz, Psychedelia, Trance and Sufi influences taking only that which would serve to demonstrate their interconnectivity.
Jac Holzman, who signed the band ‘Love’ in the sixties and former owner of Elektra Records, upon hearing Najma’s interpretation on the song ‘Old Man’ wrote, ‘Najma, I so enjoyed what you did with Bryans song, one of the unsung gems on Forever Changes. Your take is original, understated and true to the spirit of the original. Most important -- it works!’
The musical arrangements of 'Five Rivers' reflect Najma's premise of interconnectivity. By employing the Indian Harmonium, Violin, Indian Tabla, Electric Guitar & Bass, the African Udo, Ngoni & eclectic percussion all of which serve to support and provide the perfect musical environment for the unique intelligence and sensitivity of her voice, which, whether she sings a ghazal, a ballad or a slow blues, resonates with truth & beauty & enhance the profound soulfulness of Najma's voice.
The breadth & depth of Najma's vision of universality is exemplified by her beautiful rendition of W. B. Yeat's,"The Song of Wandering Aengus,' (inspired by Donovan's arrangement) Donovan's 'Young Girl Blues’ & Jagger / Richard's ‘As Tears Go By'.
A musical journey, 'FIVE RIVERS’ begins on the banks of the River Ganges in India to Africa with the River Niger, Great Britain, with the River Thames & Ireland’s River Shannon and finally across the Atlantic to the majesty of the great Mississippi River.
'FIVE RIVERS' is the first project in which Najma's essential focus has been on the Western canon of song.
She says, “Using selected covers, my interpretation of songs written by Donovan, Tim Hardin, Bryan MacLean, Rev Gary Davis and the mystical love poetry of W. B. Yeats has allowed me to comfortably compare the many shared reference points between the ancient tradition of Ghazal (romantic Urdu poetry) and the Western tradition of lyric poetry, both beautifully address the issues of unrequited loss, tragedy & disillusionment” which are all central to the Indian tradition of Ghazal.
‘Five Rivers’ can be best described as a confluence of culture, musical, poetic and linguistic traditions of the East and the West, brought together through the purity and beauty of voice. In researching this project, Najma has absorbed the distinct musical traditions of West Africa, the Mississippi Delta, the Western Folk traditions ie Irish / Celtic, Ghazal, Rock music, Jazz, Psychedelia, Trance and Sufi influences taking only that which would serve to demonstrate their interconnectivity.
Jac Holzman, who signed the band ‘Love’ in the sixties and former owner of Elektra Records, upon hearing Najma’s interpretation on the song ‘Old Man’ wrote, ‘Najma, I so enjoyed what you did with Bryans song, one of the unsung gems on Forever Changes. Your take is original, understated and true to the spirit of the original. Most important -- it works!’
The musical arrangements of 'Five Rivers' reflect Najma's premise of interconnectivity. By employing the Indian Harmonium, Violin, Indian Tabla, Electric Guitar & Bass, the African Udo, Ngoni & eclectic percussion all of which serve to support and provide the perfect musical environment for the unique intelligence and sensitivity of her voice, which, whether she sings a ghazal, a ballad or a slow blues, resonates with truth & beauty & enhance the profound soulfulness of Najma's voice.
The breadth & depth of Najma's vision of universality is exemplified by her beautiful rendition of W. B. Yeat's,"The Song of Wandering Aengus,' (inspired by Donovan's arrangement) Donovan's 'Young Girl Blues’ & Jagger / Richard's ‘As Tears Go By'.
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'Five Rivers' includes imaginative interpretations of compositions by Tim Hardin, Bryan MacLean ('Love') & Donovan. Donovan also expressed his delight at having his songs included in the 'Five Rivers' project.
This musical journey is the dynamic and natural progression of Najma's continued exploration of poetic expressions and is the perfect follow up to ‘Rishte’, her highly acclaimed collaboration with Gary Lucas. Najma is very excited about the album: “It is the first time that the poetic emphasis between the Urdu Ghazal and Western poetry has been explored and developed using western musical genres. The synergies that connect them are multifarious. It is the voice that tells the story and these ballads of unrequited love are universal”. |
FIVE RIVERS – ALBUM REVIEW QUOTES
“This is no crossover; it is a bold metaphorical journey in which she sails down the five rivers of the title – the Ganges, Niger, Thames, Shannon and Mississippi.”
- Nigel Williamson - Songlines / March 2020
“To sum up, this is coherent, Intelligent, listenable and very successful.”
- Norman Darwen - Rock n Reel Magazine / Issue 80 March / April 2020
“Mysticism to spare on a sonic expedition from the Ganges to the Thames… deftly combines ancient Indian poetic artistry with Western folk and rock forms”
- Paul Sexton, Prog Magazine / April 2020
Najma's previous album,'Rishte' was David Fricke's Pick of the Month in Rolling Stone Magazine and received four stars from Mojo Magazine's Dave Barnes who wrote of it, “Rishte is a vital and red blooded nodding back to Davy Grahams East-West musical explorations, and stands comparison with his best work”.
Najma's influences, in both time and place flow from the banks of these rivers and her gift is in her recognition of the collective universality of these sources.
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Najma sings not only in Hindi / Urdu / Punjabi but as English is her first language, it allows her to comfortably explore the bi-lingual aspect and the synergies that connect them are multifarious.
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